Thursday, 13 October 2016

Week 4 [Seminar Notes] - Special Effects and the Digital Turn

Digital Hollywood

Since the 90s, digital transformation at every level of business - production/post-production costs, distribution, exhibition and reception.

Digital Visual Effects/CGI
- New working processes and techniques
- Impact of digital FX on narrative and aesthetic conventions 
- Emerging digital aesthetics and tropes
- Realism, authenticity, spectacle
- The discourse of special effects (reception, marketing, behind the scenes)
- Special effects and 3D as commercial strategies

Production: The Digital Backlot
- Digital cinematography - HD cameras
- New techniques e.g. motion capture
- Editing and post-production software
- VFX reel for The Walk (Zemeckis, 2015)

Distribution and Exhibition has gone digital
- Films as files - the DCP (Digital Cinema Package)
- Digita Cinema Initiatives agreement 2005
- Rapid transition to digital projection since mid-2000s
- Multiple platforms - cinemas, DVD/Blu-Ray, iTunes, NetFlix
- Marketing and reception - websites, blogs, social media, viral marketing, new kinds of audience participation and sharing.

Further Reading: Pandora's Digital Box by David Bordwell

Pros for the Industry:
- Cheaper to digitally produce and distribute a film rather than using celluloid.
- Pulling power of CGI films
- Labour intensive and costly VFX
- New marketing and promotion techniques

Cons for the Industry
- Challenging illegal streaming/downloading with Piracy
- VFX and outsourcing: labour issues


Reception and Special FX discourse
- CGI and 3D are used as strategies to revive the business and to draw audiences in, mobilises discourses of innovation, technical mastery, spectacle and wonder.

- Extras and behind the scenes - Audiences are given access into the world of FX but are framed in a particular way.


- Negative media/critical image of special effects, often seen as detrimental to authenticity and narrative values

- What discussions of special effects have you seen recently in the media? What kind of discourse was being deployed?

Digital Multitude 
- Any type of CG applied to the narrative/theme of the film to enhance the visual and narrative pleasure

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